Music in Renaissance Period

Introduction Renaissance, lit whilelly, meaner rebirth it is an era that began in sasss and ended in 1600 and its school of thought dramatic e truly last(predicate)y shifted from religious and mystical ideals to a centre to human interactions. It is worthy and important to understand the lurchs from the transition of medicinal drugal period, because they mark and shape the music diligence that stands in a flash. For instance, opera was in its infancy when Gigolo Canine (1551-1681) started writing the first opera and now operas can be found in both around the world and in different cultures.There are tremendous aspects to converse bout of the transition from Medieval to Renaissance period, however this essay will only limit itself on the diversitys in birdsong composition, and the historical events that talent lead to such changes. Four aspects will be chiefly focused on change in hyphen of vocal music composition, reasons of increased secular composition, invention of b are-assed text types and what the biggest motivation behind all changes. Change in style of vocal composition When lecture about the liturgical music from chivalric period, unrivalled can easily associate to plainchant or more(prenominal) specific Gregorian chant.Gregorian Chant usually ivies us a single and narrow ranged of inviolate melody and is perceived as the voice of church in that period. Then, polyphony was evolved around twelfth century. Organza (earliest polyphony) mingled of adding a faster melody on top of a plainchant. It is rather easy to identify medieval music from Renaissance music, since Renaissance music is relatively richer and fuller. The texture is mostly polyphonic however could be withal homophobic with successions of chords.The bass register was used for the first time, this allows an expansion of pitch range at the same time usually provides a strong and full accompanies when play with the higher voices. Renaissance choral music study Jonquils Eave maria Polyphonic fictitious is a proficiency that best represents the typical style of spiritual rebirth vocal composition. The idea is that a short melody is presented by one voice and the different voices imitate the same thing but with delays, thus is similar to an echo of the first melody.This technique of co-occur provides the sense of continuity and also as all the melodic lines were conceived at the same time quite of organism conceived line by line in the rebirth period, the harmonic effect is more ICC and grateful to hear. One of a great example of polyphonic take-off is the four-voice motet by Joaquin Desired (144()-1521). Being one of the most important composers in the renaissance period, Joaquin pioneered the pervasive imitation (a. K. Polyphonic imitation) as a polyphonous device. His influence to the Western musical history is well recognized because pervasive imitation has became the ancestor of new-fangled fugue (later in Baroque period,J. S. Bach was a lso being inspired and wrote many famous fugue composition. ) Eave Maria Virgo serene (1502) is a range by Joaquin that may best illustrate the quinine of pervasion imitation. Eave Maria is a chapel that is choral music in the renaissance period that did not need implemental accompaniment.Yet, some a chapel used instrument to duplicate the vocal lines in order to attendant and reinforce the singers if they find it hard to maintain on the right pitches. At the opening pervasion imitation is used, soprano sings the single phrase Eave Maria and each voice sings the same melody in succession. In addition to imitation in different voices, it also occurs between pairs of voices. For instance, soprano and LTO come into duet in the phrase Eave, cuss construct, while the twain lower voices imitate in succession.In the phrase Virgo serene, all voices sing together creating a feeling to completeness to the first verse. Comparing to the chants in medieval period, the pervasion imitation tec hnique that was used in renaissance period definitely introduce new elements to the style of vocal composition and suffer made the choral singing more challenging yet interesting to work with. Increase in secular composition The development of secular pieces flourished in the renaissance period. This might u to several reasons, including the Reformation against Catholic perform, and the source of printing press.Catholic Church came to a crisis in the sixteenth century, because of the leaders translucent abuse of power and money. In addition to more education opportunities, hoi polloi were more aware of the phoney knowledge the church had given them. Martin Luther (1483-1546) was a scholar and musician he realized the doctrine of the Catholic Church wealthy sinners can buy their way to heaven was contradicting to what he saw in the invigorated Testament letters of the apostle Paul (salvation can only be offered by the grace of God).Such indulgence of the Church provoked refor mation from different plenty, including Martin Luther who later led to the born of Lutheran Church and Henry the 8th from England. As the power of Catholic Church started to fall, people were more aware of the expression of individuals feelings and compositional styles. otherwise than playing sacred music that focus on on God, more and more secular music started to evolve. At the same time, musicians were taken more serious at the first time. In the medieval period, troubadours who were among the first to have written secular songs, were treated as the lowest social class.However the fate of musicians had totally changed in renaissance period. The ideal of universal man had been promoted it is believed that e really educated person was to be trained in music. Musicians now had higher social status they got paid better and were recognize their work. The invention of printing press also helped to increase the secular composition. Mass publication of music was resulted by the printi ng press, and now music could expire in volumes and became a common language that not only nobles and people in the court knew.More people were educated with music and were able to make their win, thus the amount of secular music increased. Exploration of more music text types During the renaissance period, the increase in secular music had opened doors to other text types including madrigal, ballet and other instrumental music. Madrigal usually refers to a piece for several solo voices hardened to a short poem, and is usually set in a chapel or solo voices with very light accompany. Since it was among the first to set story into music, madrigal was also identify as the ancestor of the innovational opera.Many people have questioned the origin of opera, however it is lived that The Florentine Camera, a group of intellectuals who met in the home of reckoning Giovanni De Bard to discuss trends of art and philosophical system, were the ones who inspired the development of opera. Th e Camera thought that the music in those long time were very corrupted, and the only way to save it is to root back to the style of ancient Greek. They also centered on the overuse of polyphony, since polyphony could only create confusion rather than the clarity in expressing conception of ones soul.Therefore, they encouraged monody that was a single melodic line with accompaniment, and also the ancestor of opera. Claudio Monteverdi (1567-1643) was the earliest composer who explored the technique tone painting in madrigal. Tone painting is the illustration of the meaning of specific words through and through musical symbolism. For instance, if there were a word long in the text, then the tone would be very long on that word. Another type of renaissance secular text type is ballet.Ballet is a rhythmical song for several solo voices also following the ideal of the Camera ballet was mostly homophobic in texture with the melody in the highest voice. Before renaissance, instrumental mu sic were Just accompaniment to vocal sounds. However, during the sixteenth century, more music was specifically written for instruments. Besides organ, harpsichord and clavichord both evolved in the fifteenth century. There was also a more organized grouping for instrument in terms of their volumes. They were two groups, altar capable and bass capable meaning loud and soft ensembles.Altar capable that is the loud ensembles include shams, pipes and even percussion. While bass capable included harp, lute and other plucked string. The secret impulsive force There was a new ideal that was driving all those changes from medieval to invariable music the Humanism. During the medieval period, music was often a way to seek for a more intimate relationship with God. Yet, the renaissance ideals shifted from God-centric to human-centric, the will and interactions of human were more emphasized.The loss of power of the Catholic Church was originated to the psychological change of Man. Peoples wills were no long being controlled by the authority, instead they were dare to question about the fidelity of the doctrine. The rise of secular music was another sign for the new renaissance ideal. Secular music brought entertainment to the incessant era people could play secular music in weddings and on the street. This kind of entertainment was fulfilling to people in those times, and people were willing to engage to this activity that made them feel pleasant.Conclusion The transition of the music in medieval period to renaissance period was indeed very spectacular. The literal meaning of the word renaissance best illustrated the state of the music from medieval period rebirth. The change in vocal composition might be the most obvious change of all. The expansion of range, enriched tone color and the use of new technique had brought music to another level the music in incessant was more challenging but more interesting to play with.Due to the reformation of new churches, and the invention of printing, he amount of secular composition being produced had also increased in this era. New music text types had also been explored the most important of all madrigal had promoted the growth of opera in later years, ballet and also instrumental music. Yet, among all those change in style of music, or the political adjustments, the most powerful driving force behind the changes was the philosophy of humanism that was floating in the air the ideals of it had allowed people to emphasize more on human-centered aspects comparable free will and entertainments.